9/25/2023 0 Comments 2016 scott joplin ragtime festivalHis father worked as a laborer, and his mother was a house cleaner and laundress. His family lived for a while on the farm of William Caves, but moved to Texarkana, Texas, in the 1870s. He was the second of six children born to Giles and Florence Joplin. The dissertation argues that as the revival community has established and maintained itself, it has witnessed a shift from product-oriented to process-oriented notions of authenticity, heralding the arrival of a “post-revival. Scott Joplin was born around 1868 in northeastern Texas. Steven Hancoffs repertoire include Americana, Classical Ragtime, New Orleans Jazz, Duke Ellington, J.S. Steven Hancoff seved as Artistic Ambassador at USIA and US Stste Department, from 1993 to 2008. I had been to this festival twice before, most recently in 2016. Chapters 4 and 5 examine two prominent annual ragtime events-The Scott Joplin International Ragtime Festival and the World Championship Old-Time Piano Playing Contest)-to discuss practices through which the ragtime community has maintained and expressed itself into the twenty-first century. He won First Prize at Scott Joplin Ragtime Festival in Sedalia, Missouri in 1975. Following the World Championship Old-Time Piano Playing Contest and Festival in Oxford, Mississippi, I made my way to Sedalia, Missouri for the 38th Scott Joplin Ragtime Festival, which began on Wednesday, May 29. For three days, performers and fans from around the world gather to celebrate Scott Joplin, the black composer and pianist who made Sedalia his home from 1894 to 1901. Chapter 3 discusses three prominent ragtime serial publications that began in the 1960s (The RagTime Review, The Ragtimer, and The Rag Times), the people and organizations behind them, and the ways in which geographically disparate ragtime revivalists sought to organize their efforts, generating a core ragtime community while debating notions of authenticity in ragtime performance. This study, drawing on original archival research, interviews with ragtime community members, and the author’s twelve years as a participant-observer in the community, examines the origins and development of the American ragtime piano revival community.Ĭhapter 2 analyzes selected writings of the 1940s, in which the earliest revivalists sought to legitimize ragtime and forge an identity for the music distinct from jazz. They celebrated its historical roots while endeavoring to re-establish ragtime as a thriving tradition. Like many other music revival movements, what began as an effort by a dedicated few to revitalize and preserve a “vanishing” musical practice-in this case, one that had flourished from the mid-1890s to the mid-1910s-soon attracted ardent enthusiasts eager to collect, compose, and perform ragtime. Since the early 1940s, ragtime piano has been the focus of a musical revival community in the United States.
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